﻿{"id":1148,"date":"2013-08-06T19:25:35","date_gmt":"2013-08-06T19:25:35","guid":{"rendered":"http:\/\/userblogs.ganoksin.com\/metalwerx\/?p=1148"},"modified":"2013-08-06T19:25:35","modified_gmt":"2013-08-06T19:25:35","slug":"meet-the-masters-michael-boyd","status":"publish","type":"post","link":"http:\/\/userblogs.ganoksin.com\/metalwerx\/2013\/08\/06\/meet-the-masters-michael-boyd\/","title":{"rendered":"Meet the Masters: Michael Boyd"},"content":{"rendered":"<p><a href=\"http:\/\/www.michaelboyd.com\/Home.html\"><img loading=\"lazy\" class=\"alignright\" style=\"margin: 5px 20px\" alt=\"Michael Boyd\" src=\"http:\/\/metalwerx.com\/o\/BoydBio.jpg\" width=\"195\" height=\"294\" \/>Michael Boyd<\/a> made his first piece of jewelry at age twelve. Classes in lapidary at a recreation center in his hometown west of Denver, Colorado, reinforced his love of color and design, but, in college, painting and ceramics became his primary focus. He continued making jewelry, and then, he says, \u201cMetalsmithing just sort of took over.\u201d<\/p>\n<p>More than two decades later, Michael is internationally recognized for his stunning, elaborate jewelry and objects that combine hand-cut stones with a mix of metals. Each piece is a distinctive work of art. Stones the general public wouldn\u2019t easily recognize are often the focus of Michael\u2019s jewelry. Smaller precious gems take a back seat and highlight the surprising beauty of agates, jaspers, and rarer rocks such as mookaite and petrified woods.<\/p>\n<p style=\"text-align: left\">Michael recently placed second in two categories of the prestigious <a href=\"http:\/\/www.saulbellaward.com\/SBDAWinners.aspx?year=SBDA2013\">2013 Saul Bell Awards<\/a>, a necklace in the gold\/platinum category (currently on the cover of <a href=\"http:\/\/www.metalwerx.com\/\">Metalwerx<\/a>\u2019 Fall catalog), and a letter knife in hollowware\/art objects. It was his first attempt to apply to a competition\u2014not bad results for a first timer. \u201cIt just sounded like fun and I had a few pieces around,\u201d he said.<\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" class=\" aligncenter\" alt=\"\" src=\"http:\/\/metalwerx.com\/o\/BoydSaulBell.jpg\" width=\"323\" height=\"324\" \/><\/p>\n<p style=\"text-align: center\"><span style=\"font-size: 10px\">Michael&#8217;s second place Saul Bell Award winning necklace.<\/span><\/p>\n<p>Lapidary became an important aspect of his jewelry when he realized he wanted to make pieces that did not include traditionally-cut stones. \u201cI wanted shapes and forms that fit the metalsmithing I was doing,\u201d he said. Part of the fun of doing lapidary is that he goes prospecting, sometimes taking along pack goats to carry back his stash. He has traveled throughout the country in search of rough: Montana for sapphires, Wyoming for jade, and all over the west for agate and jasper. Early next year he is joining a group of gemologists in Tanzania to mine sapphires and search for other rough gem material.<\/p>\n<p><img loading=\"lazy\" class=\"alignleft\" alt=\"Ring by Michael Boyd\" src=\"http:\/\/metalwerx.com\/o\/BoydRing.jpg\" width=\"197\" height=\"225\" \/><\/p>\n<p>Michael is always on Metalwerx\u2019 Summer with the Masters series. This year, he returns to teach his popular workshops, \u201c<a href=\"\/\/www.metalwerx.com\/workshop\/351\/\">Basic Lapidary<\/a>\u201d (September 10-12) and \u201c<a href=\"http:\/\/www.metalwerx.com\/workshop\/50\">Beyond Basic lapidary: Designing with Stone<\/a>\u201d(September 16-19). There is always a flurry of anticipation at the studio as volunteers prepare the studio for his return. Scaffolding is erected for the lapidary work stations, plastic sheeting is tacked to walls to protect tools and the big-screen TV, and steps are taken to ensure there is a fresh and plentiful supply of towels for cleanup.<\/p>\n<p>The biggest excitement happens when Michael empties his suitcases of rough. There can be as many as 60 paper plates filled with a rainbow of rough gems for students to work with, including topaz, aquamarine, jade, rubies, tourmaline, crystal, quartz, and more. One can only drool at the selection and dream of the transformation from rough to sparkling beauty.<\/p>\n<p>Students will benefit from learning how to use stone as a means of enhancing jewelry design. Michael has many tips and tricks to share about how to make perfect bezels, to set stones on top of stones, and to add embellishments. \u201cYou can buy manufactured findings\u2014and stones&#8211; and stick them on your piece of jewelry,\u201d he said. \u201cI\u2019d rather make my own findings and cut my own stones. These [skills] will make your jewelry entirely your own.\u201d<\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" class=\"  aligncenter\" style=\"margin-top: 10px;margin-bottom: 10px\" alt=\"Bracelet by Michael Boyd\" src=\"http:\/\/metalwerx.com\/o\/BoydBracelet2.jpg\" width=\"416\" height=\"262\" \/><\/p>\n<p>Over the years Michael has taught hundreds of students the joys of cutting, shaping, and polishing stone. He looks forward to each workshop because inevitably, someone will ask a question that he\u2019s never before had to answer, or he\u2019ll discover some new and better way to present information. \u201cIt\u2019s a constant learning process for me,\u201d he said. \u201cIt makes you think.\u201d But the best part of hauling equipment and pounds of rocks to set up shop for a week? \u201cIt\u2019s fun.\u201d<\/p>\n<p>For more information, click <a href=\"http:\/\/www.metalwerx.com\/workshop\/351\">here<\/a> or call Metalwerx at (781) 891-3854).<\/p>\n<p>&#8211;by Yleana Martinez<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michael Boyd made his first piece of jewelry at age twelve. Classes in lapidary at a recreation center in his hometown west of Denver, Colorado, reinforced his love of color and design, but, in college, painting and ceramics became his primary focus. He continued making jewelry, and then, he says, \u201cMetalsmithing just sort of took [&hellip;]<\/p>\n","protected":false},"author":143,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/userblogs.ganoksin.com\/metalwerx\/wp-json\/wp\/v2\/posts\/1148"}],"collection":[{"href":"http:\/\/userblogs.ganoksin.com\/metalwerx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/userblogs.ganoksin.com\/metalwerx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/userblogs.ganoksin.com\/metalwerx\/wp-json\/wp\/v2\/users\/143"}],"replies":[{"embeddable":true,"href":"http:\/\/userblogs.ganoksin.com\/metalwerx\/wp-json\/wp\/v2\/comments?post=1148"}],"version-history":[{"count":0,"href":"http:\/\/userblogs.ganoksin.com\/metalwerx\/wp-json\/wp\/v2\/posts\/1148\/revisions"}],"wp:attachment":[{"href":"http:\/\/userblogs.ganoksin.com\/metalwerx\/wp-json\/wp\/v2\/media?parent=1148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/userblogs.ganoksin.com\/metalwerx\/wp-json\/wp\/v2\/categories?post=1148"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/userblogs.ganoksin.com\/metalwerx\/wp-json\/wp\/v2\/tags?post=1148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}