Jewelry took an innovative turn in the late 19th century when artists like Rene Lalique<\/a> began using materials other than gold and precious gems in their work. Some of Lalique\u2019s most famous pieces featured glass and ivory, materials uncommon to jewelry for the time. For example, the wings of his dragonfly pins were made with thin slices of antler horn, heat-treated to give them an iridescent sheen. His creative use of non-traditional materials gave rise to a term heard often today, art jewelry.<\/p>\n

\n\t $\"Spoons,$ <\/a>\n\t

"Spoons" necklace by Sarah Doremus<\/p>\n<\/div>\n

Metalwerx instructor Sarah Doremus<\/a> has long used unusual and everyday objects in her work. She will teach a workshop, \u201c Cold Connections for Nontraditional Jewelry<\/a>,\u201d\u00a0 April 21-22. Various methods of connecting where soldering is not appropriate, such as tabs, hinges, rivets, and tension fit joints, will be explored.<\/p>\n

\u201cThe price of silver has skyrocketed. Gold is out of the price range, to me, for most people,\u201d she said. \u201cWith the emphasis of late on recycling and reusing materials, there are so many things you can do.\u201d<\/p>\n

Sarah is prone to picking up broken pieces of plastic, beach stones, steel springs, tin cans, and just about anything that catches her eye. \u201cA lot of the work I do is narrative. Using things that are not necessarily Sterling silver in composition aids in that narration. To do that, you have to figure out ways to put those things together where you don\u2019t use heat,\u201d she said.<\/p>\n

Students who enroll in the class are encouraged to bring in atypical objects to use in their jewelry: items made of wood, paper, rubber, fabric, plastics, pebbles, shells, and any kind of found object.<\/p>\n

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"Finger Pointing" necklace by Sarah Doremus<\/p>\n<\/div>\n

\u201cIf you\u2019re a collector of junk,\u201d she said, \u201cthis class will be fun!\u201d As an example, she refers to a kinetic ring she made from a little plastic bull that comes with every bottle of Sangre De Toro wine. She made it so that the bull on top of the ring runs when you turn a crank. \u201cMy wine is like Cracker Jacks,\u201d she said. \u201cIt comes with a toy.\u201d<\/p>\n

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"Bull Ring" by Sarah Doremus<\/p>\n<\/div>\n

It wasn\u2019t always the case that using non-traditional materials in jewelry was acceptable. Until the 1960s, art jewelry was regarded more as \u201ccraft\u201d than \u201cart.\u201d\u00a0 Opinions began to change when jewelry using media other than precious metal and stones were featured in major museums in Europe and the United States.<\/p>\n

\u201cJewelry, per se, has usually been thought of not for its craftsmanship, but its materials,\u201d Sarah said. \u201cBut there\u2019s been a change in consciousness.\u00a0 Now it\u2019s as much oftentimes about the message and craftsmanship as it is about the materials. That\u2019s because art jewelry has become more accepted and popular. It\u2019s not only about adornment, but its message.\u201d<\/p>\n

Sarah developed a lasting friendship with her mentor and former teacher, J. Fred Woell<\/a>, who also has taught at Metalwerx. \u201cHe decided that gold and silver, although beautiful, weren\u2019t the be-all and end-all in jewelry,\u201d she said. \u201cIt didn\u2019t necessarily have to be the preciousness of the material that made the piece resonate with the audience. He really was the one who instigated using alternative materials.\u201d<\/p>\n

Woell will receive the 2012 Lifetime Achievement Award<\/a> of the Society of North American Goldsmiths (SNAG) conference, to be held this May in Phoenix, Arizona. The SNAG website states he is \u201cthe first in the field to work with found objects in his metalwork for political and social commentary.\u201d<\/p>\n

\u201cHe\u2019s my guru,\u201d Sarah said, playfully adding, \u201cIt\u2019s ironic that a society of North American goldsmiths is giving him this award. He doesn\u2019t use gold!\u201d<\/p>\n

Sociopolitical commentary also is a hallmark of Sarah\u2019s work. One piece, a necklace made of bullet casings and coins, features a pendant with a fortune cookie-like message that says simply, \u201cEnough,\u201d which is also the title of the work.<\/p>\n

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"Be Prepared" necklace by Sarah Doremus<\/p>\n<\/div>\n

Aside from that, you will find plenty of humor in her jewelry. \u201cBe Prepared\/Whiskers Happen\u201d is a necklace of ceramic tubing containing lobster antennae. It has a locket that includes a hidden vial, with a mirror on the back side, which stores tweezers embedded in a lobster claw. The piece has an old-fashioned tintype photo of a woman with the necklace\u2019s title stamped below it. Constructing such a piece would not have been possible using heat and solder, she said.<\/p>\n

\u201cIf you\u2019re on a date and you feel a whisker on chin, you can look at the mirror, pull out the tweezers, and use it on your chin,\u201d she said. The necklace is a perfect example of Sarah\u2019s belief that in jewelry, \u201cThere\u2019s nothing you can\u2019t incorporate.\u201d<\/p>\n

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Sara Doremus, demonstrating "Be Prepared\/Whiskers Happen" , necklace<\/p>\n<\/div>\n

There are still seats available for Sarah\u2019s class. You may register online<\/a> or by calling Metalwerx<\/a> at 781-891-3854.<\/p>\n

by Yleana Martinez<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"