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"If I Could Fly," brooch by Holly Gage<\/p>\n<\/div>\n

It sounds simple enough: use wood, cork, and certain brands of paper clay to form inner cores which burn off, giving dimension and design possibilities to a piece. Holly is credited with developing the process.<\/p>\n

Making canes by alternating layers of metal and wood or cork clay can lend intricate negative space to a form. Hollow forms can be used as focal pieces, beads, or anything\u2014it can be flat as well. It\u2019s a hands-on process where a little bit of instruction can go a long way.<\/p>\n

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Intricate open cane earrings, Holly Gage<\/p>\n<\/div>\n

The two-day workshop is for metal clay enthusiasts of all skills levels, but Holly warns, \u201cWhatever you think you know is not necessarily applicable to this. It is a process having you think differently and creating in a whole new dimension, a springboard idea starting the launch sequence to explore more.\u201d<\/p>\n

Holly was fascinated by the use of color in polymer clay jewelry, so she began experimenting with combustible clays to make spaces. As anyone who works with metal clay can attest, a design with individual rungs and other delicate open work can become very tedious. She spent six months in trial-and-error activities to improve the process, and discovered that of all the combustible clays, wood, cork, and certain brands of paper clay worked the best. \u201cHere, the combustible materials act as a support as well as\u00a0 temporary space holder that will fire away,\u201d she said.<\/p>\n

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"Another Dimension," brooch by Holly Gage<\/p>\n<\/div>\n

She tried using Creative\u00ae paper clay, but the volcanic ash content did not completely burn away. \u201cIt would hold the space,\u201d she said, \u201cbut I had to chip it out.\u201d She cautioned that this work must be done very clean. If the cork or wood clay gets into the metal, it will leave pits. You can read more about this process here<\/a>.<\/p>\n

Holly also devised a way to use up the leftover material. \u201cYou can recycle it even if it has the combustible foreign particles,\u201d she said. \u201cI\u2019ve come up with a way to use mixed metal and cork clay sanded material so that it\u2019s not wasted. Scrap and dust and everything.\u201d<\/p>\n

Who could have anticipated that one day artists would use paintbrushes and a moldable metal in clay form, found objects, and extruders, to make jewelry? For Holly, a nationally-recognized and award-winning jeweler, metal clay has become the most \u201caccurate\u201d way for her to express herself. When she successfully perfected the negative space caning procedure, she was pleased with the end result and the response from the arts community.<\/p>\n

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"Deco" necklace, Holly Gage<\/p>\n<\/div>\n

\u201cI thought it was cool,\u201d she said. \u201cNow I can control my results a lot better. It\u2019s innovative and different, and it\u2019s been received rather well.\u201d<\/p>\n

There are still a few seats available for Holly\u2019s workshop.\u00a0 To register,\u00a0 or learn more about the class, contact Metalwerx at (781) 891-3854, or visit http:\/\/metalwerx.com\/workshop\/531<\/a>. To see more of Holly\u2019s work, visit http:\/\/www\/hollygage.com<\/a><\/p>\n

–by Yleana Martinez<\/p>\n","protected":false},"excerpt":{"rendered":"